The Renaissance is now (from Katherine Eggert)

| September 28, 2010

Download postbank online banking The title of this post comes from a Toronto taxicab. I attended the 2006 conference on “Spenser’s Civilizations” at the University of Toronto; as it happens, Toronto was also hosting the American Psychiatric Association conference, with its thirty thousand attendees, that same weekend.  Thunderstorms delayed my and everyone else’s planes upon […]

William Kuskin on the medieval/early modern divide

| September 17, 2010

Literary history is a mode of production. Its processes appear natural, the settling of literary accounts according to a yearly plan. So conceived, its productive force is masked by the appeal of chronology as an obvious measure of temporality how to siri. But make no mistake, literary history is productive not descriptive: it parses the […]

Julian Yates on Actor Network Theory and the question of matter

| September 16, 2010

I have been having a lovely time reading your posts-cum-mini-intellectual-autobiographies. These are great introductions to your work, Katherine, Henry, David, Andrew—and a challenging set of questions for early modernists, Teresa Download wordpress backup! I am also particularly taken with the formalist / historicist thread to the discussion (Andrew, Henry, and David’s posts most immediately) herunterladen. […]

David Glimp on security and the genres of emergency

| September 13, 2010

firefox update herunterladen I’m currently at work on a project tentatively entitled “The Poetics of Emergency.”  It takes as its point of departure the contemporary status of security as a, if not the, dominant way of understanding the work of governance in Western liberal democracies birthday pictures to. As scholars from a number of disciplines […]

Henry Turner on dramatic form, technology, and the corporation

| September 9, 2010

windows office 2016 for free When I entered the field of Renaissance Drama as a graduate student at Columbia in 1994, New Historicist approaches that had dominated the 1980s and early 1990s were being reinvigorated by methods derived from the history of the book, through which drama was coming to be regarded primarily as a […]